Skip to content
BuyOnceRight: buy once, buy right

Heil Sound

Heil Sound PL2T Overhead Broadcast Boom Arm

  • Heavy-duty spring mechanism
  • Supports up to 2.5 lbs / 1.1kg
  • All metal construction
  • Desk clamp included
Check price on Amazon

Sponsored link · confirm price and availability on Amazon · updated

On this page

Is the Heil Sound PL2T Overhead Broadcast Boom Arm worth it?

Yes, for the right buyer. The Heil Sound PL2T Overhead Broadcast Boom Arm ranks #3 in our Best Microphone Boom Arms 2026 list (best for heavy microphones). Its biggest strength: heavy-duty spring handles heavier broadcast microphones (SM7B at 765g, RE20 at 700g). The main caveat: no internal cable routing.

Overview

What the Heil Sound PL2T Overhead Broadcast Boom Arm does well

If you use an SM7B or RE20 (heavy dynamic mics), the PL2T's spring rating and all-metal build handles them without drift or joint strain. 1kg. The tradeoff: no internal cable routing.

Specs that matter

Key features

  • Heavy-duty spring mechanism
  • Supports up to 2.5 lbs / 1.1kg
  • All metal construction
  • Desk clamp included
The trade-offs

Pros & cons

Pros

  • Heavy-duty spring handles heavier broadcast microphones (SM7B at 765g, RE20 at 700g)
  • All metal construction, no plastic flex at joints
  • Used by professional broadcast studios as standard equipment

Cons

  • No internal cable routing
Fit check

Should you buy the Heil Sound PL2T Overhead Broadcast Boom?

Think twice if this matters to you

  • No internal cable routing
Where it ranks

Featured in 1 best-of list

ListRank
Best Microphone Boom Arms 2026· Best For Heavy Microphones#3 / 6
Cross-shop

Alternatives to the Heil Sound PL2T Overhead Broadcast Boom Arm

Products ranked near it in our research, each better for a slightly different buyer.

Buying advice: microphone accessories

  1. Check the arm's weight range against your mic. Heavy broadcast mics need sturdier springs or the arm will droop.
  2. Shock mounts isolate the mic from desk vibrations. Make sure the mount fits your mic's body diameter.
  3. Mesh pop filters sit in front of the mic. Foam windscreens are more discreet and suit on-camera setups.
  4. Good XLR cables with solid connectors prevent crackling. Keep runs short and away from power cables.
  5. Most mics use 5/8 inch threads; some stands use 3/8 inch. A small adapter solves mismatches.

Read the full guides

Answers

Heil Sound PL2T Overhead Broadcast Boom Arm: common questions

Is the Heil Sound PL2T Overhead Broadcast Boom Arm worth buying?

Yes, for the right buyer. The Heil Sound PL2T Overhead Broadcast Boom Arm ranks #3 in our Best Microphone Boom Arms 2026 list (best for heavy microphones). Its biggest strength: heavy-duty spring handles heavier broadcast microphones (SM7B at 765g, RE20 at 700g). The main caveat: no internal cable routing.

What are the downsides of the Heil Sound PL2T Overhead Broadcast Boom Arm?

The main trade-offs owners and reviewers point to: no internal cable routing.

What are the key features of the Heil Sound PL2T Overhead Broadcast Boom Arm?

Heavy-duty spring mechanism, Supports up to 2.5 lbs / 1.1kg, All metal construction and Desk clamp included.

What are the best alternatives to the Heil Sound PL2T Overhead Broadcast Boom Arm?

Worth comparing: Rode PSA1 Swivel Mount Studio Microphone Boom Arm, Blue Compass Premium Tube-Style Broadcast Boom Arm and Neewer Adjustable Microphone Boom Arm. Each ranks near it in our research for a slightly different buyer.

Where can I buy the Heil Sound PL2T Overhead Broadcast Boom Arm?

It's sold on Amazon. Prices and stock change often, so check the current listing before you buy, our link takes you straight to it.

What is phantom power and do I need it?

Phantom power (48V) provides electrical power to condenser microphones through the XLR cable. Condenser microphones require it to operate, without phantom power, they produce no signal or a very weak signal. Dynamic microphones do not require phantom power and are not damaged by it (when properly designed). Enable 48V phantom power on your audio interface when using a condenser microphone.

How far should a condenser microphone be from my mouth?

6-8 inches is the standard positioning for voice recording. Closer produces a warmer, more bass-heavy sound with more room noise rejection. Further away produces a thinner sound with more room ambience in the recording. Some broadcast-style microphones (Shure SM7B) are designed for very close positioning (2-4 inches), check your microphone's datasheet for the optimal working distance.

More microphone accessories shortlists

More like this

Other microphone accessories we recommend

All microphone accessories

Browse all research