Elgato Wave Mic Arm MK.2
In: Best Microphone Boom Arms 2026
- Flexible high or low positioning
- All-metal build
The right accessories improve recordings as much as a new microphone, often for much less money.
Standout picks from our best-of lists. Tap any product for features, pros and cons.
In: Best Microphone Boom Arms 2026
In: Best Microphone Stands 2026
In: Best XLR Cables for Microphones 2026
In: Best Microphone Boom Arms 2026
In: Best Microphone Stands 2026
In: Best XLR Cables for Microphones 2026
In: Best XLR Cables for Microphones 2026
Ranked shortlists for specific budgets and use cases. Start with the one that matches yours.
Accessories solve specific audio problems. A boom arm puts the mic close to your mouth and off the desk. A shock mount reduces thumps from typing and desk bumps. A pop filter or foam windscreen stops plosive bursts from P and B sounds.
Before buying, check your microphone's thread size and weight so the arm and mount can hold it.
Check the arm's weight range against your mic. Heavy broadcast mics need sturdier springs or the arm will droop.
Shock mounts isolate the mic from desk vibrations. Make sure the mount fits your mic's body diameter.
Mesh pop filters sit in front of the mic. Foam windscreens are more discreet and suit on-camera setups.
Good XLR cables with solid connectors prevent crackling. Keep runs short and away from power cables.
Most mics use 5/8 inch threads; some stands use 3/8 inch. A small adapter solves mismatches.
Research-based picks from specs, independent reviews and owner feedback.
No paid placements, ever.
Our methodologyOne of our strongest picks is the Elgato Wave Mic Arm MK.2, a standout in our Best Microphone Boom Arms 2026 list. The Elgato Wave Mic Arm LP (Low Profile) is another excellent choice.
Start with your main use and budget, then compare our shortlists: Best Microphone Boom Arms 2026, Best Microphone Stands 2026, Best Shock Mounts and Pop Filters 2026.
Check the arm's weight range against your mic. Heavy broadcast mics need sturdier springs or the arm will droop.
Phantom power (48V) provides electrical power to condenser microphones through the XLR cable. Condenser microphones require it to operate, without phantom power, they produce no signal or a very weak signal. Dynamic microphones do not require phantom power and are not damaged by it (when properly designed). Enable 48V phantom power on your audio interface when using a condenser microphone.
6-8 inches is the standard positioning for voice recording. Closer produces a warmer, more bass-heavy sound with more room noise rejection. Further away produces a thinner sound with more room ambience in the recording. Some broadcast-style microphones (Shure SM7B) are designed for very close positioning (2-4 inches), check your microphone's datasheet for the optimal working distance.
Angling the microphone slightly off-axis (10-15 degrees to the side) reduces plosive sensitivity without meaningfully affecting the sound. An off-axis position avoids the direct path of plosive air bursts (p, b sounds) while keeping the microphone within the pickup pattern for normal voiced sounds.
Yes for recording use. Condenser microphones are sensitive to vibration, footsteps, desk contact from typing, and air conditioning vibration all transmit through a rigid stand into the microphone body and into the recording. A shock mount isolates the microphone from the stand with elastic suspension, eliminating this. For podcast and voice recording, a shock mount is an essential accessory.
Yes for close-mic vocal recording. Plosive consonants (p, b, t) create a burst of air pressure that hits the microphone diaphragm and produces a thump in the recording, this is the popping sound you hear on budget podcast recordings. A pop filter (mesh screen) diffuses the air burst before it reaches the microphone. It is inexpensive and resolves the problem completely.